Bibliography
• American Art at the Flint Institute of Arts, Essay: William H. Gerdts, Flint Institute of Arts, Hudson Hills Press, New York, Manchester, 2004, p.264.
• The Not-So-Still Life, A Century of California Painting and Sculpture, Susan Landauer, William H. Gerdts, Patricia Trenton, San Jose Museum of Art, University of California Press, 2003.
• California Watercolors: 1850-1970, An Illustrated History & Biographical Dictionary, Gordon T. McClelland and Jay T. Last, Hillcrest Press, CA, 2002.
• Realism At The Millennium, Louis K. Meisel and Linda Chase, Harry N. Abrams Inc., NY, NY, 2002.
• Art of the 20th Century; A History of Art Year by Year from 1900 to 1999, Jean-Louis Ferrier, Editions du Chene, France, 1999, p.705.
• Visual Arts in the 20th Century, Edward Lucie Smith, Laurence King Publishers, London, 1996.
• American Realism, Edward Lucie-Smith, Harry N. Abrams Inc., New York, 1994.
• Art Since 1940: Strategies of Being, Jonathan Fineberg, Prentice Hall, NJ, 1995.
• Baseball: A Treasury Of Art And Literature, Michael Ruscoe, Editor; Hugh Lauter Levin,Ltd., Publishers, New York, 1993.
• Photorealism Since 1980, Louis K. Meisel, Harry N. Abrams, Inc., New York, 1993.
• American Realist Painting 1945-1980, John L. Ward, UMI Research Press, Ann Arbor, MI, 1989.
• Ralph Goings, Essay: Linda Chase, Harry N. Abrams Publishers Inc., New York, 1988.
• Magic Realism Rediscovered 1918-1981, Seymour Menton, Art Alliance Press, Associated University Presses, Inc., Philadelphia, PA, 1983.
• Realists at Work, John Arthur; Watson-Guptill Publications, New York, 1983.
• Super Realist Painting and Sculpture, Christine Lindey, William Morrow & Co., New York, 1980.
• Photorealism, Louis K. Meisel, Harry Abrams, New York, 1980.
• Art in the Seventies, Edward Lucie-Smith, Phaidon Press, New York, 1980.
• Realist Drawings and Watercolors, John Arthur, New York Graphic Arts Society, Boston, MA, 1980.
• SoHo, Helene Zucker Seeman and Alanna Siegfried; Neal-Schuman, New York, 1979.
• Super Realism, Edward Lucie-Smith; Phaidon, Oxford, England, 1979.
• Art America, Mary Ann Tighe and Elizabeth Ewing Lang; McGraw-Hill, New York, 1977.
• Art Now: From Abstract Expressionism to Superrealism, Edward Lucie-Smith; William Morrow, New York, 1977.
• Dictionary of Contemporary American Artists, 3rd Edition, Paul Cummings; St. Martin’s Press, New York, 1977
• Why Art, Gregory Battcock; E.P. Dutton, New York, 1977.
• American Master Drawings and Watercolors, Theodore E. Stebbins, Jr., Harper & Row, New York, 1976.
• Amerikanische Kunst von 1945 bis Heute, Dieter Honisch und Jens Christian Jensen; DuMont Buchverlag, Cologne, West Germany, 1976.
• Topics in American Art, Lawrence Alloway; Norton, New York, 1975.
• Readings in American Art, 1900-1975, Barbara Rose, Ed.; Praeger, New York, 1975.
• Late Modern-The Visual Arts Since 1945, 2nd Edition, Edward Lucie-Smith, Praeger, New York, 1975.
• Neue Formen des Bildes, Udo Kultermann; Verlag Ernst Wasmuth; Tubingen, West Germany, 1975.
• Art in Context, Jack Hobbs; Harcourt Brace Jovanovich, New York, 1975.
• Hyperrealisme, Linda Chase; Rizzoli, New York, 1975.
• Super Realism, A Critical Anthology, Gregory Battcock, Ed.; E.P. Dutton, New York, 1975.
• L’lperrealismo italo Medusa, Romana Libri Alfabeto; Rome, Italy, 1974.
• Who’s Who in American Art, R.R. Bowker, New York, 1973.
• Neue Formen des Realismus, Peter Sager; Verlag M. DuMont Schauberg; Cologne, West Germany, 1973.
• Hyperrealisme, Isy Brachot, Ed., Imprimeries F. Van Buggenhoudt; Brussels, Belgium, 1973.
• New Realism, Udo Kultermann, New York Graphic Society; New York, 1972.
• Art Now, New Age, Kodansha Ltd.; Tokyo, Japan, 1972.
All works shown on this site are in private collections or collection of the artist.